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I erroneously posted this in Tech Support (was wondering why no one replied), so posting it here, hoping for better results:

 

 

Hi,

 

Doing a father-son project with my twin 8-year old sons.  Our first real train layout!  I finally came up with what I think is a decent (but rudimentary)  track plan.  It's rough because: (a) it's my first-ever attempt to come up with such a plan; and (b) I used RailWare (Railking software), which is good, but has limitations in terms of track pieces and curve radii.  We are planning to use either Atlas O or GarGraves (leaning toward Atlas O).     

 

Plan Key Points -

 

I plan to use Atlas O throughout (track and switches) BUT may need to use a Ross Switch for the staging yard if Atlas doesn't offer a 4-way yard switch (or equivalent) so I can keep dimensions tight because I don't have a lot of space. 
 

Dimensions -

The space for the layout is walled in on three sides (left, back, and right sides).  The Left wall is approx 14 1/2 feet long, the right wall is approx 11 1/2 feet long, and the rear wall is approx 14 feet wide.  I plan to go through the walls on the left and right sides (into closets) to enlarge the width a little and to keep some things out of view.  The left closet is room-length and has about 2 feet of usable width.  The right side closet is a rectangular "island" around the stair case.  From the back wall, I can extend forward about 8 feet into the closet before running into the stairs.  It has about 32 inches of usable width inside.  So, basically, I have an 18 1/2 wide area.


The Layout's Appearance -

The left side of the layout will be an urban setting and the rest will be suburban to rural (want to have a small town by the classification yard that's right out of "A Christmas Carol" and some operating manufacturing stuff).  The right back and along the right wall will have mountains.  


There is an Elevated train system (the green tracks), two main lines at "sea level" (072 and 081), a switching yard (the reddish tracks) and some staging tracks (along the left edge, in the closet and out of sight). Hoping for a roundhouse and turntable as well by the yard (space permitting).   


1. The Elevated lines - The green lines represent the EL.  The entire area under the EL will be an urban setting.  There will be three lines but only two curves at the top turn-around (036/045).  None of this is depicted in the attached plans because the Railking Track Software doesn't have 045 curves, curved turnouts or double slip switches.  I think I would need to use double slip switches and other switches at the curve leading into the end-of-the-line (bottom horizontal portion) to keep the 3 tracks from turning into 6 lines.  If this requires the end-of-the-line part to extend more than 10 feet, I don't have the room and would need a different plan (maybe a point to point for all three lines?).  The EL will have 3 stations - one on each straight and one at the horizontal bottom (end of the line).  


2. Main lines - There will be two (072 and 081) unless I can add one or two more at 054 (but don't want the layout to be all tracks and no scenery).  The main lines will disappear into the closet on the Left side and incline up to go through a **** Gate bridge and then into a mountain pass along the back right and right wall.  I also want either one or both of the main lines to split in the Left closet and NOT incline so that they have water-routes along the back wall (with siding).  The water route is currently not conected back into the main when it runs into the main's curve, but again, this is due to software limitations.  The inclined lines will decline on the Right side (going into the mountain/turn and through the closet) and re-emerge at sea level (the yard is at sea level).  The mains will pass the yard and then drop below sea level as they go around the loop (the diagonal tracks you see crossing the yard are below sea level).  When the mains run into the area under the subway, they will disappear into tunnels that run underground and run under the buildings and into the wall/closet).  I want a passenger station stop under the subway (where the mains inner loops are, I guess).  You can see that in the Left closet, I have extra lines that I want to include for my staging lines.  Again, they aren't actually connected to the mains due to software limits.  They would need to connect into the sea level main lines.


The Classification Yard -
The reddish parallel tracks in the front/center represent the classification yard.  Again, can't do it right with the Railking software.   


WANTS:

-I would like a turntable near yard and a roundhouse, few sidings and reverse loops if not too difficult to achieve - but stumped on where to implement.
 
 
When revieweing my plan, keep in-mind that the breaks in the track are only because of the RailWare limitations (for instance, the yard is "floating" only because Railware doesn't have a 4-switch track piece, etc.). I would TOTALLY appreciate all advice, inputs, criticisms on how I could make it better, more interesting, etc., and anyone who could help put this in a better format that allows for the right track pieces and for no breaks in track - I would owe you bigtime. 
 
Thanks ever so much for any help.

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OK, don't know how to put into bitmap, but used "snag-it" to at least post the image.  If someone can walk me through how to convert the MTH Railking image into a more usable format, I would appreciate it.

 

I know this is a very rough layout compared to some of the brilliant stuff others have created/posted, so please don't judge it on this basis.  Basically, just looking for urban-to-suburban-to-rural settings, industry and then through the mountains landscape and bridges (which all kids love).  Trying to make the most of my space limitations for long main (double) lines, staging tracks, a classification yard and, if space permits, a roundhouse and turntable.  Would welcome ALL comments, as I am hoping for advice, criticisms, input before starting construction. 

 

Thanks VERY much to everyone commenting - I totally appreciate it.

 

Here goes:

 

 

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  • 3-23-12RevLoops

It is difficult to determine if you will have access to the track from the walled in sides.  If not, construction, detailing and righting the occasional wrong will be challenging.  Turntables are space grabbers if you want them to look correct in place.  You may want to consider making some paper mockups of the track, then placing this on the floor in the room.  It give you an idea of how this will look as it migrates from the minds eye to the real world.

PJB your photos worked. As necrails noted it is a far reach 8'. Do you plan on access hatches to get to those hard to reach areas?  And or can you move around the perimeter of you layout by shrinking it abit. I put track that I had right on the floor or papermock up to determine your available space. Atlas O makes a smaller 24" Turntable.

An Atlas turntable with a roundhouse eats up 3'x5 area, you could go without a roundhouse and or use engine shed. 

I just noticed your atlas turntable in the photo. I do not have rr track with me and I'm not rr tack master by any means. You could try an around the walls option and use different levels and or whole independent loops from each, it is easier for me to see something rather than describe it. Have yard or engine service area off the donut. 

Or try to make rr track plan as a doggone but it's a tight fit.

As others have said, you have quite a reach to the rear of the layout without access hatches (we hide ours under building platforms.) Since you're looking at Atlas-O O-72/O-81 curves, you might want to consider using #5 turnouts for your crossovers. This will keep the mainline spacing consistent and eliminate the "reverse curve" scenario.

 

If you decide to go with Gargraves track and Ross turnouts, the 11-degree "regular" turnout works instead of using O-72's for crossovers. By the way, another combination that works well (but requires a bit of work) is to use Atlas track with Ross turnouts. All you have to do is cut out the stringers on the end ties of the Ross turnouts, slide the end ties back, and use regular Atlas joiners (don't use the Atlas adapter pins) to connect the track. We do this at the club and it works well.

 

Hope this helps.

I'm thinking the pop-ups would be (a) one in the EL (green line) loop area and (b) somewhere near where I have the turntable right now.   We want double mains, as the boys like to see the trains go in opposite directions.  Our theme is New York City (like lower Manhattan or the 'burbs" - no skyscrapers) and then upstate NY. 

 

Thanks for the turnout advice!

 

AGHRMatt (and anyone else) - I had asked in another thread for opinions on Atlas track paired with Atlas or RCS switches and GG or Ross paired with RCS switches.  always looking for those with real-life epxerience to weigh in on this subject as to preferences and why. 

 

Thanks so much for the help and please, keep it coming - even if it's to tell me i need to do XYZ totally different.  Thank you.

 

Peter 

Forgot to mention - as you can see, I tried putting in one siding along the top (the track off the turnout that stops abruptly.  Any suggestions on where to add other sidings would be appreciated.  As would advice on where to put run-around tracks for more prototypical operation. Similarly, suggestions on how to make the yard viable would be appreciated (using RailWare, it's hard to tell if I even have sufficient space for a yard/yard ladder, etc.).  Finally, would appreciate opinions on the reverse loops - are they needed?  nice to have?  overkill?  Etc.  

 

 

Thanks!

As turnouts go, I believe (and others share this opinion) that the Ross turnouts are about the best three-rail turnouts out there. They're also offered in way more configurations than anyone else offers. Hence my recommendation that Ross turnouts be used with Atlas or Gargraves track.

 

BTW, I have a philosophy about reverse loops -- two or none. With truck-mounted three-rail couplers, backing a long train through a reverse loop can create derailment problems on long trains. There's even a risk with body-mounted couplers if you get a light car i the wrong place in the train.

 

Another thing that seems to work for me is to start with a basic design, get it onto RR-Track, then actually start removing track from the design. It seems counter-intuitive, but it allows for better placement of industrial spurs, sidings, and scenery. By the way, there were (and still are) some areas on the club layout that had too much track and we actually took it out; plus the mountain branch was built as a single track run to a reverse loop/secondary staging yard.

 

Hope this helps.

 

OK, I attempted to do some makeshift clean-ups (and for ease of viewing, ditched the EL line).  This is the limits of what I could do with the Railking Railware Software, as it doesn't have a 4-way switch or a double slip switch, etc.

 

It's still a double main (072 and 081).  They incline on the left leg up to the back, turn right and go across the back across a bridge and through a mountain pass route.  They then decline along the right leg to sea level when running along the front.  They then decline below sea level ("underground," in fact - that's why there is a spur over them) in the inner loop, and cross under the classification yard (the classification yard is indicative only, because the software doesn't have a 4-way switch or ladder).  The two extreme left vertical tracks on the layout are staging tracks in the closet (they are supposed to connect to the layout at bottom left, but don't because of software limits).  The staging tracks both connect into the sea level route along the back (the bottom of the top three horizontal tracks lines).  There is a passing siding below that sea level track, and then an industry spur below that.  I know the mains goinging under the yard isn't so-called prototypical, but with the grades involved, it made the most sense. 

 

Still hoping for more advice, inputs, etc.    

PermLayout 4.2.12ReversLoopsAlt

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  • PermLayout 4.2.12ReversLoopsAlt

PJB,

This attachment may not be related. I was hearing of your need for a yard switch or a ladder 4 way. There are other ways to add 4 tracks, use an Atlas O72 wye and add two swithes off that the sky is the limit.  You will have close center line spacing. See attached photo that I found awhile back. I do not have my rr track with me currently. Also are you connecting your Atlas turntable to the track? Is that your engine service area and are you planning on a roundhouse? See #1 and or #4 for 072 wye ideas for yards.

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  • Switch ideas

Looking at Atlas O, but frankl;y, Ross kills Atlas when it comes to available yard ladders especially when space is an issue.  I don't have 5+ feet for turnouits and wyes just to get into the yard, which is what I think would be required with Atlas.  RCS has a 4-way switch that takes up around two total feet. 

 

For turntable, I was considering Atlas a few others, but again, I was more considering an alternative that ssems superior from the Millhouse River Studio turntable.  My first time on all this stuff, so most of my data is not from hands-on, so opinions are totally welcomed.

 

Peter

Ross and Atlas both have pros and cons that you can talk about ad infintum. Atlas is solid rail Ross is tubular.  Atlas O, is the cheapest turntable you will find at 24" across.

Millhouse and others are awesome but will cost you $1000 plus if new. Looking at your photo I would eliminate the loop directly above the turntable, it is just to crowed in my opinion, if you want to add engine facilities.

I have been planning to use AtlasO track, for the reason you stated and also because I bought a few pieces of AtlasO and GarGraves and, when rolling cars over both, the AtlasO is quieter and less echo-ee.  But I'm also starting to realize the benefits of GG.  Apples-to-apples (on a cost per piece-basis, as I don't think you can otherwise fairly compare hollow tinplate and solid nickle/silver), GG is substantially less expensive.  And, RCS offers a whole lot more turnouts than AtlasO, especially when space is a consideration. 

 

In terms of eliminating the reversing loop above the TT, I too have struggled with the placement of that trackage.  But unless someone can propose an alternative (still hoping for inputs from all you experienced hobbyists out there), eliminating it would leave me with one reversing loop (bottom left area), which kind of defeats the point. 

 

Peter 

A turntable and roundhouse take up a considerable amount of space. This will become a focal point for your layout. My advice is to carefully consider all of your options. The most inexpensive route may seem like a good choice now but may not be adequate in the long run in terms of operation and aesthetics. Remember, you will get what you pay for.  I believe you'll find Al Zamorski's Millhouse River Studio Turntable is the best turntable for the money. And, along with my roundhouse, you'll have an unbeatable combination.

Is this Dennis Brennan?  If so, I bought your book that features the Sandy Harbor Ry and loved it.  And, thanks for having an opinion in your book.  Most authors of such books just talk about the available options without any guidance as to what they chose or why.  After reading it, however, I did have a few (novice?) questions.    

 

 

I agree that price is a major consideration in buying a TT (or anything else).  But I also want to plan today as best I can for tommorrow, as our needs may grow.  In terms of TTs, I don't have many locomotives yet (although 2 already exceed a 24" wheelbase), but we are planning 072 minimum radius curves so we don't run into limitations on what engines we can purchase.  By the way, as a novice, I look at the Atlas TT and wonder - is it even protoypical?  In my very limited research into the TTs that I'd like to model, the bridge typically sits across a much more pronounced sunken pit. ?  

 

 

Peter

Hi Peter,

 

Yes, I'm the author. I'm pleased that you like it and I'm always available to answer any questions.

 

Already, you've found that the Atlas turntable will not accommodate 2 of your engines.  Get a turntable based upon the largest  engine that you may ever purchase. Al's 34" table will fit anything available. I believe the Atlas turntable is based on the Santa Fe's Redondo Junction turntable in Los Angeles that uses a through type girder bridge design. However, that is not a common design since the typical turntable uses a deck girder bridge. But, as you suspect, the biggest problem with the Atlas turntable is the lack of a turntable pit. That is not prototypical.

 

Dennis Brennan

We are going to use the 34" TT from Al, and the new RH from Dennis. Since these items are not in the RR Track software, I place a 34" object (circle) on the layout, and used the Korber RH for placement purposes. Obviously the DB RH is quite a bit bigger than the Korber kit but this is the focal point of our layout, and we are going to make it work. We have a lot of equipment to display and run so we're going to make it fit even if we have to rearrange some of the other tracks so things are not too crowded.

 

Speaking of which Dennis, we are going to have add another add-on kit so our RH is  7 stalls instead of 5. After seeing the construction pix, we'll get it in there somehow. I'll send you an email. 

 

The entire right side of our layout is very deep, and will have a few access hatches in order to get to all of the track. There's not really any other way to do it. We put the RH and TT where it's at, on the 2nd level, and towards the back because as you walk in the front door of the house, you will see all that at eye level right away.

 

You can see the big hole in the benchwork where the 34" TT will rest above. This benchwork is the lower level, but we still need access underneath once it's installed on the 2nd level.

 

 

IMG_0553

 

Final Revision II

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  • Final Revision II
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