A line of trees.
Even another somewhat tone matching backdrop of trees with no sky. You might trim the tree top area to loose the straight cut line and hide the tree top horizon. Furs would take a lot of jagged cutting, but full round trees should result in smoother "cloud shaped" horizon line that blends well to the top mural without devolping carpel tunnel..
A darker tone will highlight your building and top mural more, and indicate the trees are in a down slopes shade or shade of another hill....I think? It looks like the sun is behind us & on the right; but you can see it better (?). Far right sun would put dark trees sort of between the sun and the color homes.
If you add a drops or use them to fill you should note that the suns position should likely match more than the tone! With effort, you can employ diffent distance perspectives with different shadow positioning.
I.e. two shots with different sun angles, #1 on the left and#2 on the right may not look as correct as #2 on the left and #1 on the right.
Or
An ornate, and/or ivy coated brick retaining wall. I think I'd match at least part of it to the porches color if your really wanting to tie them together as a newly unified group as strongly as possible. If the wall predates the houses, red/orange or grey cinder for a poorer area; yellowish tan, stone or deep red brick for a nicer one. (That is debatable, but how I see it anyhow)