Yea, fine &coarse would more likely be the labeling; being away from "living it" the vernacular suffers. Things like that also change from shop to shop, mfgs, over time, and by type to (ink, home, auto, industrial).
A look at me here or my work isn't necessarily a great reflection the extent of of my past ability or experiences. I've really lost a ton of fine motor ability as well as the drive to be that tight with my own stuff. I could once hide my signature as period at the end of a page. I'd have trouble with type the size of a coin's now.
Remeber the rat rod comment? Along the same line of imperfection, I also have a thing for (as well as the fiscal necessity for) the low buck folk-art approach. It seems I loose interest in shiny new things anyhow. The craft acrylics are something I used to hate but now embrace the easy cleanup, color wash ability, texture ability, and soft dense look of the pigment with a good coat. I can do more with it, despite the weakness. (I think they have improved over the years too)
I guess I kinda see pigment, finish, and texture as differnt elements, each unique and appreciated or dismissed at will vs "a paint job" as most people see them. I'm bored with finish and have a strong thing going for texture and pigment that began with painting foam rocks and my "harelequin" dockside.
The combo of skill-drop and thick craft paint makes face painting a little harder, lol. I don't know that I ever used Floquil. Maybe. I tried a few brands suggested by shops over the years but none impressed me enough to warrant the cost change outside of some metal colors. What I did have didn't store well like the small testors bottles did either.
Compare a bottle of testors to the cap of a similar automotive rattler the next time your at Wally World and it'll all make more sense fast if it doesn't already. Sure an automotive rattler may be fine, but not always.
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