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The Addams Family Lionel train layout is intriguing for many reasons.  First, it has the look and feel of a Lionel Display Layout, which were regularly produced by Lionel as a way for department stores to display and operate Lionel trains and accessories. There is a large following of these layouts. For example, we have in the “Track Plans and Layout Design” Forum on OGR, a 9-page thread on Lionel dealer display layouts. Here is the link:

https://ogrforum.com/...stwar-layouts?page=1

The Addams Family TV show was only on the air for two seasons with 64 shows produced from September 1964 through April 1966.  I actually thought it was on TV for a longer period, but that may be because its been rerun in syndication so many times. 

Over the years, the Addams Family layout has been discussed on the OGR Forum many times and a recent thread from 20CenturyHudson had a link to a Youtube video that has a compilation of all of the scenes on the show that that the layout appears.

Here are links to the thread and the video:

https://ogrforum.com/topic/a-funny-video

https://www.youtube.com/watch?...amp;feature=youtu.be

The video is first, very funny, and second, it has a treasure trove of shots of the layout, from different angles, that one could probably use to recreate the track plan, including accessories. I seem to recall a track plan of the layout being posted on OGR, but I have not been able to locate it anywhere (the one that comes up is from the theatrical movie from 1993).

The video is our version of the “Zapruda home movie” whereby you are able to take screenshots of the layout that could be used to recreate the Addams Family Lionel Train layout.

This first shot is the best view of the first layout, which has Lionel Super O track (there is a second layout that uses tubular track, it looks to be a 4 foot by 8 foot layout).  I estimate the size of the Super O layout to be 5 feet by 9 feet, which was the size for many of the Lionel Factory Display Layouts.  

One interesting part of the layout is that the track has a roadbed underneath it.  From what I have seen, none of the display layouts used a roadbed.  On each picture, I have the time on the video that that it appeared, in case of the first picture, its at 3 minutes and 1 second.

In picture above is from the front left. The accessories in this shot include the No. 252 Automatic Crossing Gate (two of them on each end of the front), a number of trestles including the No. 111 Trestle Set and the No. 110 Graduated Trestle Set, a No. 214 Girder Bridge, two sets of the No. 76 Set of three Boulevard Lamps. I also see the tower for the No. 345 Culvert Unloading Station.  There are Super O Switches on the inside track and the outside track.

This next picture is a frontal shot. On the far-left back corner, there is a lighted structure that looks sort of like the building for the automatic gateman, but I can’t immediately identify it. 

 

The next picture is a closer in shot.  The No. 342 Culver Loader is show next to the No. 345; the No. 494 Rotary Beacon is right behind the bridge.

This next picture is taken from the control panel side (where Gomez was standing) and clearly shows the No. 342 Culvert Loader. Its also a great shot of the Super O track on the roadbed. The roadbed on the Addams Family Layout is a really nice touch and looks professionally done. In comparison, the Lionel Factory layouts had just painted roadbed color on the plywood.

 

This next picture is also taken from the same side as the control panel, (on other side of the previous picture and provides the impression that the two trains are on a collision course!), it shows a horse corral, probably for the No. 3356 Operating Horse Car, a No. 334 Operating Dispatch Board, and a No. 260 Illuminated Bumper.

 

The picture below from the opposite angle (front side), shows the Dispatch Board, and the Rotary Beacon covered with a cylinder to make it look like a water tower. You can also see a flag. 

 

This next picture shows the switch in front of the No. 317 Trestle Bridge, the switch it connects to on the inner track and part of the inner track switch that connects to a siding. Note the light is on for the switch.  Love the look of that Super O track on the roadbed!

 

This next picture is a beautiful shot of the right side of the layout; in the foreground, there is the #334 Dispatching Board, the No. 128 Animated Newsstand (I think) and a No. 89 Flagpole.  In the forefront, there is the horse corral, a milk car platform for the No. 3662 Operating Milk Car.  The next accessory is a bit hard to see but it looks like the No. 264 Operating Forklift Platform (without the forklift), and the No. 464 Rotary Beacon. Not sure who made that passenger car, its does not look like a Lionel. 

 

Below is a close up of the same area, you can see the guide where the forklift goes on the No. 264, and the general area for the track switch behind the flagpole.

This is another money shot, it’s the control panel!  This looks like a professionally done control board, not unlike what was seen on the Lionel Factory Display layouts. Notice the three controlers for the switches on the upper left; a couple of the No. 364c switches and several of the No. 90 push button.  I have not exactly figured out how many switches are on the layout,  but with only three switches on the panel, I wonder if the sidings were only used to run the accessories and not for running any engines.  

Below is another nice shot taken from the control panel side of the bridge, and the 6464-825 Alaska Box car which is relatively rare. The bridge looks like some type of custom bridge.  The bridge that they “blowup” looks to be made out of wood. The Santa Fe F3 looks to have seen a better day.  

The Alaska Box car tells us something about the age of the layout.  The layout does not look like it was custom built for the show, instead it may have been custom built for a well-to-do family or perhaps it was a store display.  The No. 334 Dispatch Board, was only produced in the 1957 to 1960 period, so that is another item that helps date the layout.

Below is the only picture on the net that I could find of someone recreating the layout. That said, it does not look like its completely accurate either where the accessories are placed or the track plan itself. 

 

On the wrecks, there looks to be two of them, one with three engines and one with two.

This is the three-engine wreck, note the steam engine below, without a tender.  It could be a 2037, which was a great puller.

 

This is the two-engine wreck, without the steam engine.  All of the wrecks seem to use the same footage.

 

This next picture shows the new layout (probably for the second season).  It has a figure eight in the middle and an oval on the outside with the trestle and bridge.  The one thing that is noteworthy on that layout is that it had new Lionel equiptment like an 027 Santa Fe Alco passenger set and a steam engine.  Perhaps Lionel supplied them in order to get some free product placement. 

It was love at first sight, a true love story….

Hopefully over the next few months, I can try and put the track plan together using some of the track planning software. 

Lastly, the next two pictures show the trains heading towards each other.  Looks like they made a half bridge to film it (and get a longer run). Such drama. Maybe they shot it from the same side and just reversed the film for one of them.  

Enjoy!

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Last edited by Former Member
Original Post

Replies sorted oldest to newest

cnw4ever posted:

I believe the passenger car in photo 8 is by AMT.  Or the later version of the company, Kusan. 

AMT dome and combine are behind the Santa Fe F unit. That suggests that perhaps Lionel didn’t supply the trains at first - they would have given the production crew whatever they asked for in exchange for screen time, and wouldn’t have supplied AMT/KMT passenger cars (even if they got blowed up real good)...  😵

Last edited by MTN
tncentrr posted:

I wonder if anyone from either CTT or OGR has reached out to any of the surviving cast members to see if they had any recollections about the layout. If I am not badly mistaken, only the girl that played Wednesday is still living now. Does anybody know?

Gomez Addams himself, John Astin is still alive at 88 years of age.

RideTheRails posted:
CBS072 posted:

Johnstrains..   Maybe the switch on top of the ZW is for the explosives attached to the bridge.

Respectfully, no. Gommez uses a hand held plunger device. Clearly shown in the video.

Steve

Right.

Actually, I read about that switch just the other day as we had another thread going on the Addams family layout. It mentioned that Lionel (or maybe some third party who built the layout) put in an off/on switch at request of the show's producers.

Steve Musso posted:

The shot of Gomez and Mortisha (sp?) shows a ZW with no wires connected.

In an article about the layout built for the movie adaptation, it was mentioned that the ZW's were just for show and a technician ran the trains from a position under the layout. The reason being that union rules disallowed actors from operating special effects. Maybe something similar was in effect for the original series?

---PCJ

Was the Addams layout that the folks recreated in the Yahoo group ever posted? I just signed up for the group, but am still waiting for approval for full access. Just thought someone else might know, or even have a copy? Also kind of figured they would have posted it already if they did have a copy? So I wait for approval and will see what I can find. 

Interesting thread and interesting layout as well! Thanks to the OP for posting!

Last edited by rtr12
rtr12 posted:

Was the Addams layout that the folks recreated in the Yahoo group ever posted? I just signed up for the group, but am still waiting for approval for full access. Just thought someone else might know, or even have a copy? Also kind of figured they would have posted it already if they did have a copy? So I wait for approval and will see what I can find. 

Interesting thread and interesting layout as well! Thanks to the OP for posting!

Mike Spanier will know.

My page keeps closing before I can finish so I'm going to try "short bursts". I have reviewed and assembled similarly, but using only a pause. All three track styles are present in at least one shot. It is a 2037 engine. At least one bridge is wood. You missed the poultry car! The recreation seemed off to me also, something under the bridge is "off" but never could tell what

That is the best "Night of the Meek" shot I've seen yet. It seems it changed some for the Addams version. I've read on multiple sites over the years that Lionel did build this.  Lost or wrecked is a debate, a second tubular version had to be built. ..

It is a flagman's shanty. It isnt just a #89 flag but a less common, bigger one with a cement base maybe 4" square. I once had all the accessories ID-ed but..

(Back soon)

....continued... but the info was lost in the MS cloud, along with SCARM and Anyrail files of a few viable versions from my trying to recreate it.  They were posted here at one time, but those and many of my old, toyish posts got deleted by what I suspect was a heavly scale oriented finger. (Very few come up in searches..?).   

Actually, some files did get recovered. I'll have to double check on lack of Addams.

There were two plungers for blowing the bridges.  The other engine seen is the Minneapolis & St Louis. I agree with some of the cars being AMT, Gramps had a bunch (heavy, poor rollers, still very nice and I wouldn't mind a set

There is one shot of a lower curve (tinplate) that I could never place. I suspect it was from a third layout. Maybe a home layout, commercial, etc., but the ground cover doesn't match anywhere on either of the regulars. Too many bushes densely packed.

  John Aston has been asked about the layout 1001 times. He doesn't have anything to add that hasn't been in print in the last 20-30 years.

I think it's on a billiards table (not pool table).  I'm also thinking the flagpole set may be split up, the base used under some other accessory or nearby.  

I'll post again after some meditation on it. It takes longer since I'm now unable to do the headstand needed to increase the blood flow to my head

(It's how Gomez does his meditation... with a Cuban cigar   Sometimes already lit as he pulls it from his pocket Lit ones go in there as well when he needs to put it down )

One show he considers buying the "Big Swamp & Southern" so he can have a "real wreck with those babies"..."after we get the people off of course". "Now I have to buy it; I just wrecked my last diesel! "

  For whatever reason, I used to have trouble spelling diesel. I solved that by recalling it as DIEsel, and was disappointed the writers never put the joke into play.

Uncle Fester is actually the power supply once or twice with the cord attached to his mandublar lightbulb. When he removed it to speak, the trains stop.   I have a battery powered prop bulb with an on button that can be pressed with your tounge

The worst part is the throttles are refered to as switches and contantly work the handles in opposing directions to "switch tracks" right after using them as throttles.  I don't think anything but the ZW and detenators ever get touched.

Montclaire posted:

What a great thread.  Lionel should really do an article on this for the next catalog.  

  I honestly don't think they would have anything to add to what's already generally known. It might reduce some hunt time or generate interest but the focus wouldn't do much for sales today. It would only bring requests for items they are not producing at the moment.  The last Addams movie wasnt used to it's sales potential imo.  It is likely considered too "dark" for anything more than minor support to Hollywood and/or some "tame" boxcar art.

Imagine the operating cars and accessories we could come up with to suppliment copies of Gomez's collection offered as RTR LC LC+

Cousin It's habidashery and barber shop.   Marie Antionette car (Wednesday's headless doll),. Cleopatra and Kitty in a pet setting, A "museum" car (listen to the theme) with wooden Indian, polar bear, "twisted" moose, a "rack and nail bed", new dynomite car (oops, bad taste, better quit while I still have a head 

 

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