OK, OK, I "get" weathering, and lordknowz I LOVE scenery like Norm C's, as an example of as-real-as-it-gets, but how do we decide when - if at all - to weather?
Taking Norm's work as an example, (I'm not taking your name in-vain, here, Norm; you know I am a fan. I use you as an example of perfect weathering and making a scene look realistic) in his thread, "Outskirts", which seems to answer my question, that scene is weathered and modeled perfectly (I have called it art-work), and we have all reacted with praise for its scenic authenticity and skill. The venue fits the weathered/worn look, of course.
Yet, there have been layout scenes I have not had the urge or the guts or the inspiration to weather. I've left them new-looking.
Should everything be weathered, to some extent?
And as far as locomotives and, even, rolling-stock are concerned, I do not have the guts for it. Yet, I admire SIRT's work with freight cars, for example.
What do you say? When and what should we weather? (I know, I know, when we want to - it's our layout. But beyond that...? Are there objects and scenes and equipment that really should be weathered?)
SIRT? Norm? Does everything need weathered to some extent?
Attached here is a snipit from a client's layout (OGR: Run 232). I had carte blanche to do anything I wanted with his largely tinplate layout. He wanted a mixture of his tinplate buildings and my "touch of realism"as he stated the commission, which once completed, he called "Toy Scale."
..As you can see, I chose to respect his tinplate structures in this neighborhood by leaving them pristine..
..I configured the buildings and crafted little touches of "realism" among them, but "weathered" not a one of them.
As I said, everything in life is not dirty and "weathered." When and where is scenery due for some weathering? How do you feel about weathering?
FrankM