Hmmmm,.....
Reading this it seems like tinplate-reborn...Lionel Classics, Tinplate Traditions, Lionel Corporation Tinplate and its Lionel, Dorfan, Ives, American Flyer, et al re-creations...has about run its course and matured in acceptance for the American toy train market.
So it would seem that fantasy paint schemes, fancy sound and control systems, alternative motor and gear train technology and the other efforts to appeal to a narrow segment of the overall toy train market, in the context of a business model perhaps it's run its course....matured...run out of steam (pun intended?)...become (yawn!) bo-ring.
That's too bad.
But, if I were Mike, knowing what markets are still thirsty for his attention...and very lucrative for a business seeking growth!..., I'd take my tooling dollars, my marketing chutzpah effort, and see what I could do in the birthplace of tinplate....Europe! One can only wonder what might transpire if Mike were to negotiate with Marklin's owners (and other producers of early tinplate...trains and non-trains, alike!!) the same sort of LCT arrangement that would encourage re-creation of the hundreds and hundreds to thousands of items that would be enthusiastically received. And, does anyone seriously doubt Mike's ability to negotiate a business deal??? (Or have we forgotten about his role in defending the entire model railroad market against the licensing legal-beagles of a not-so-small railroad several years ago?????)
The American vs. European tinplate trains market is a puzzlement to me. Along my 70 years of life's journey...history, hobbies, business, travel, etc., etc....one of the things I learned is that "old" in America...buildings, towns, landmarks, and the like...are not really very old in comparison to "ye olde" in Europe. (I remember staying at a quaint country inn in England one time. It had been built in a year of only 3 digits!)
But one of the big differences in our plethora of old landmarks and those of the continent is that we still have ours. Most of Europe's were devastated or destroyed during a couple of wars. (History isn't really taught any longer in the public schools, so if you are, say, less than 35 years old, you may have no idea what I'm talking about. I've seen some interviews where our 'citizens' actually believe that Abraham Lincoln was our first president! But I digress....)
Those same wars also destroyed a lot of Europe's toy trains, too. If not by bombing, shelling, or fire, then by collection for being recreated into war materiel. Ergo, it might be safe to posit that there are fewer European-made tinplate trains/toys from pre-1940 than those made in America??
So, then, fast forward to today....and Mike Wolf....and LCT and its established group of global manufacturing sites....and Mike's successful entry into the 'thirsty/hungry' standard O gauge European market...blah, blah, blah. If this American pre-1940ish tinplate market is maturing, rebelling, walking away, maybe it's time?......time to fold up this tent and go elsewhere?
Well, my wife was born in 1954. She certainly had no nostalgic epiphany over the Lionel Classic, Tinplate Tradition, and LCT efforts to make those early iconic toys available. But that surely didn't stop her from going nuts over and eventually buying both an LCT standard gauge Blue Comet set a few years ago and, more recently, the LCT O gauge Girl's Set (which, in her opinion, shoulda been marketed as anEaster set with its pastel colors!...and gives us ANOTHER reason to set up a seasonal layout in the family room!!!) after seeing them running at MTH's booth in York. Until those purchases, the only tinplate we had was Dad's standard gauge 366W set. Since it seems from this forum thread that we may be in the sunset years of Mike's American tinplate effort, I guess we'll be glad to have had a nice, satisfying taste of it while we could.
Hmmmmm.....
KD