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I have been working on scenery as much as I can prior to York. I am extremely lucky to have a friend who is one of the most famous nature photographers on the East coast and who loves trains. Gustav Verderber was the Official Kodak Yellowstone National Park Photographer (when there was a Kodak) and is published in the most prestigious nature journals. His company, Railscenics, specializes in layout photography. When he visits I supply Guiness, we eat, drink, and do photography. Here are the results. My favorite is the Pennsy at the ash pit.

Eliot

 

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Images (11)
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Thanks, everyone, for your kind words.

Every layout we build seems to lead to another. 

What we learn from one we try to incorporate.

I always loved trains and, to me, the ultimate experience is to stand trackside, be it one the mainline or in the yard. I never got to see steamers during the Golden Age so what I am trying to do is with the help of experts, photos and a wing and a prayer.

 

I am inspired by Rich Battista, Norm Charbonneau, Vulcan, SIRT, Hot Water, Chugman, Leavingtracks, Trevize, Pitogo, Frank53, Mike CT, Jim Policastro, Don Close, the NJ Hi Railers and a host of incredible modelers who have been kind enough to give me great feedback. My apologies to the fine modelers whose names I have omitted. I try not to look at too many photos of the work of George Sellios because I would do the same thing when I try to play guitar after listening to Eric Clapton. Just put it back in the case for another day. Sigh  .  .  .

 

Chris . . . .  the next one may, indeed, be two rail. 

The lighting is room light (several banks of hi intensity halogens) and ambient light entering the room from four or five windows. No other lighting was used.

 

Eliot

Last edited by Scrapiron Scher
eliot, having seen george sellios' work up close and personal (not to mention studying and re-studying the hundreds of photos I have of the f&sm, your work is bright up there. it's just beautiful, full of exquisite detail ( like George's) but in many ways harder to do because of the larger scale. a treat for the eyes. jerrman
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