...and away we go...
1923
American Flyer introduced the #96 in 1923. The station does not appear in the main catalog, however, it is illustrated in a black and white supplement which was issued that year.
1923 catalog supplement
As you can see from NWL’s picture in the previous post, the first lithography is all red brick, no cut station waiting room or baggage doors and a smooth sort of olive green enameled roof. Also note the litho treatment of the windows – they have a shaded blue for the glass and shades on the two right windows are only pulled part way down.
1924
I don’t have a copy of a 1924 catalog but I do have access to a color copy of a 1924 supplement which has a very small color rendition of the #96 station. The picture suggests the lithography for the #96 station was the same as 1923.
1925
In 1925 American Flyer changed the red brick lithography to a variegated color brick lithography. In addition, they also offered a “new” station, #104, which was just #96 with an added external electric light. The roof remained the same smooth olive color and the station waiting room and baggage doors were uncut. The other thing that occurred was #96 was downgraded to a footnote in the catalog – “Same as No. 104 but without light”
1925 catalog illustration
1925 #104 Passenger Station
Note that in addition to the change in brick lithography there is a change in the window treatment as well - the blue is gone and the window shades on the right come all the way down to the half way mark. Also notice the light fixture - painted green with the reflector surfaces painted white. (Also note - they must have run out of boxes with a sticker label for #104 and slapped a #104 label over the #96 label - the box was in need of some repairs when I got it which explains the cloth tape and the manufactured box lid).
1926
No change in catalog illustration or text from 1925.
1927
The catalog illustration for 1927 indicates a couple of changes to the 96/104 station.
1927 catalog illustration
The first is the indication that the baggage door is cut and bent back to give the suggestion of a partially opened door. The second item is the roof color. The catalog illustrates #104 and has it with a smooth dark red enameled roof. As in 1925/26, #96 is a footnote – however, to the best of my knowledge, it appears American Flyer decided to make an additional distinction between #96 and #104. Specifically, #96 was now sold with a green enameled roof.
1927 #104
Note that the light itself is still painted green with a white underside reflecting surface.
1927 #96
Based on what I have seen I think Flyer tried to maintain this distinction in roof color right up to and including the change in lithographic treatment in 1935 which was the last year they cataloged #96. I also think production line demands occasionally resulted in #104 stations with green roofs and #96 stations with dark red/maroon roofs.
Another thing to note is the catalog for 1927 gave the price for the two stations - #104 - $2.60 and #96 - $1.25 – over a 100% markup for a light fixture.
1928
The catalog illustration indicates the baggage door is still cut and bent back and it also suggests the roof is now embossed. The big news for 1928 is the stations now have the names of two Chicago suburbs – #96 is now Flossmoor and #104 is now Kenilworth.
1928 catalog illustration
As with so many things Flyer, my observations indicate there were more changes in the station between 1927 and 1928 than indicated in the catalog. As you can see from the picture – the #96 station box still states Model 96 Passenger station but the station itself now has an embossed roof and the cut door has changed from the baggage to the station waiting room door.
#96 with cut waiting room door and embossed roof
#96 Flossmore (oh yeah!! The Dentist Depot ) with cut station door and embossed roof
I really like the misspelling of Flossmoor on the box. I don't know how long this error persisted but I do know Flyer eventually got it right.
#96 Flossmoor - gray base
#104 Kenilworth cut waiting room door and embossed roof
It is difficult to see in the pictures of the gray based #96 and #104 but the embossing on the roof of these two stations is more elaborate than the embossing you see on most of the waiting room cut door stations. There is an additional outline around the chimney base which disappeared at some point in the production process. Note the light fixture is now just a plain brass finish on both the outside and the reflective surfaces.
Sorry about the picture below - I clicked on the wrong image and I can't seem to remove it from the post without starting all over
Two quick side notes:
Chimney Lithography
The chimney lithography changed over the years but I have not been able to determine any kind of pattern. Sometimes the brick lithography matched the lithographic treatment of the station and other times it was presented as much larger brick.
Base Color
Most of the #96 and #104 stations I’ve seen have a light gray enamel finish. However, as you can see from the pictures above there were other colors. I've seen these stations with bases that, in addition to the standard gray, were blue, tan and yellow. I don’t have any explanation for the color differences. I do know the first version of the long base #97 freight station has a tan base so perhaps Flyer was thinking about base color changes at some point but that is pure speculation on my part.
Back to the main thought of this thread
1933
It wasn’t until 1933, when Flyer introduced its #237 Station set, that the catalog got around to illustrating the #96/104 station with a cut station waiting room door. However, the catalog illustration for #104 was the same before. It is worth noting that in 1933 the #104 (Kenilworth) was now priced at $1.50 and #96 (Flossmoor) at 90 cents.
1933 catalog illustration of station set #237
1935
The catalog illustration for #104 is the same as before as is the description for #104. What makes the catalog interesting is the footnote description of #96 – “Same as above but without light or frosted windows” In the 1935 price sheet and in a 1935 supplement the illustration for the station is the same as before, however, the descriptions now indicate #104 has frosted windows and an interior light whereas #96 has neither. The 1935 catalog indicates #96 is priced at $1.00 and #104 is priced at $1.50.
1935 - Flossmoor #96
The #96 above came with its original box. It has the green roof which is in keeping with the roof color coding I mentioned earlier and it also has frosted windows. The catalog description indicates it wasn't supposed to have these. I've never seen a late #96 without frosted windows but that doesn't mean there isn't one out there somewhere.
1935 - Kenilworth #104
1936
American Flyer drops #96, prices #104 at $1.00, still shows the old #104 illustration but has a completely new description for the station – “Has interior light which shines through transparent windows…” A supplement for that year correctly illustrates the new-for-1935 station lithography which now resembles clapboard and stucco finish.
1936 supplement illustration
The #104 with the new lithography treatment was cataloged through 1938.
#104 Roof Colors post 1935
One thing that can be said about the roof colors for the post 1935 #104 is that there must have been a revolt in the roof painting section of the American Flyer works. The roofs come in smooth enamel red, crackle enamel red, crackle enamel orange, dark green enamel, crackle dark green enamel, and probably some other colors I haven’t seen. As for chimney colors – you name it and it’s yours – red, green, yellow, orange. One thing I have noticed is a crackle finished chimney always seems to come with a crackle painted roof (the converse is not true). Each time I've inspected one of these station roofs I get the impression that the chimney and roof were first tabbed together and then the roof/chimney assembly was crackle painted as a unit.
For individuals interested in paint variation collection a word of caution: it is very easy to remove the chimneys and trade them around so I wouldn't get too worked up about roof paint/chimney paint combinations - my guess is if you look long enough you will find American Flyer made just about every color combination imaginable for roofs and chimneys for the post 1935 #104.
It is also worth noting I have seen the post 1935 #104 with dark red/maroon roofs and lithographed brick chimneys - which would be the roof color/chimney treatment for the pre-1935 #104. Given that Flyer often used remaining old stock components on newer items I don't find this too surprising.
#104 with crackle orange roof and chimney
Oddities and Curiosities
Like everything else – if there was a goof made in the processing of the station lithography that could be corrected – the correction was made and the station was shipped.
Below is a station with a side which, after door and windows were punched, was fed into the final cutting press upside down. As a result, all of its base tabs are where the roof should go. How do we solve this – easy – we make a little fixture that looks like a doughnut with a stick, punch a hole in station side, insert a rivet, and voilà – we have a tab to use to attach the side to the base (of course we make sure we pair the mis-punched side with other sides that have the tabs in the right location.
Top of station - note tabs and the "doughnut" fixture at the bottom of the side.
Station side with rivet
Sold as Shopworn
Flyer had an onsite salesroom where items that had been reworked in some fashion, were what we might call “seconds”, or were perhaps items that were used were sold. This station is one of those items. I can’t decide if it was used, some kind of leftover after the change was made to the newer lithography, a mistake with respect to failing to punch the side for the light fixture, or what. Whatever the case – it was sold as shopworn and is so indicated on the bottom.
Shopworn #96?
Station underside