Steinzeit,
For my track, Atlas O and Old Pullman, plus bridge ties, wood and plastic ties that fill in gaps between flex track-all my track, I rattle can paint it to blend.
I start with all frogs and switch points with a gloss grimy black. Then I use brown and grays to paint the rest of track and rails. Then I highlight ties in white at end of sidings for me that tell me max train advance on siding. I do all this with cheap spray paint or brush on paint, then I go around and air brush detailed areas of track and dry brush other areas. The clear coat it all.
FYI-I am passionate about painting model railroad track, I have scene to many beautifully built layouts that have unpainted or went-back-later hand painted track that ruins the whole layout in my opinion!
ncng
Originally Posted by Steinzeit:
I have a coupla questions for those of you who have used turnouts and other special work that use a mix of copper-clad and conventional [ wood, usually, I imagine ] ties regarding their 'scenic' treatment:
1. How do you handle the difference in appearance when painted, such as the way they might reflect light differently ? Do you give the copper ties a hand coat of primer or say grimy black first, etc ? I ask this because I have had some visual problems where plastic and wood, or even different types of plastic, ties are comingled. Yes, I realize "every tie is different" and I purposely have different tie types, etc, in various locations -- but it's where the ties "shouldn't" be different that gives me the problems.
2. What about the isolating cut on the copper surface ? Sure, the old "derailment" thing -- but suppose you don't want that look ?
Best regards, SZ