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In 1923, Swiss composer Artur Honneger (1892-1955) wrote a concert piece about the 4-6-2 Pacific locomotive, but he referred to it as the "Pacific 231", based on the wheels visible from one side. 

 

He professed to love locomotives, especially the larger ones such as the Pacifics, calling them "living things" and honoring them as divine creations. 

 

His music is largely unmelodic and atonal, but it does have dynamic changes indicating the increase in speed as the locomotive accelerates from start to high speed and back to a stop.

 

This 8-minute B&W film was made in 1949 as accompaniment to the music, showing plenty of side-rod action and shots of the fireman and engineer hard at work.

 

 

Bad Order

 

 

Last edited by Rich Melvin
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Funny you mention this. Just last week, I performed the Villa Lobos Bachianas Brasilieras No 2 in which the final movement represents a steam train chugging through the countryside, here's one of the London Orchestras:

 

 

Oh, I play trombone with the Chicago Sinfonietta. Our tympanist is also a huge O-gauge guy, but for some reason is not in the forum.

 

Back when I was considering getting a Doctorate, one of my ideas for a thesis was  the effect of the industrial age on music. Not just these pieces where we imitate machines as above, but the effect of mass production of band instruments, the increase in environmental noise in our city and suburban lives has changed music.

 

Another track is how the steam locomotive changed music. The blues shuffle, gave birth to all sorts of genres, especially rock and roll whose steady motoric drive, grinding harmonies and blocky chord progressions are undoubtedly influenced by machinery. Think of a "bend" in a guitar note, or a wailing saxophone or Duke Ellington's horn sections doing wah-wahs. Think of a steam whistle, the Doppler effect of a passing locomotive etc.

 

These machines are in deep in our very minds.

Last edited by Rich Melvin

 

HEY NODEWARRIOR,

 

It's good to meet someone who plays Symphonic music! 

 

Do you play Tenor or Bass trombone?

 

About Duke Ellington...a jazz musician once said that there are 2 sax sections in the Duke's band:  The regular sax section and Harry Carney. (Bari sax)

 

My favorite conductor is now the Russian Valery Gergiev, but I always thought the late Leonard Bernstein was tops.

 

Bad Order Hal

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Last edited by Former Member
Originally Posted by Nodewrrior:

Funny you mention this. Just last week, I performed the Villa Lobos Bachianas Brasilieras No 2 in which the final movement represents a steam train chugging through the countryside, here's one of the London Orchestras:

 

http://www.youtube.com/watch?v=Sjj1Hq_TSqM

 

Oh, I play trombone with the Chicago Sinfonietta. Our tympanist is also a huge O-gauge guy, but for some reason is not in the forum.

 

Thanks for posting that.  I can never seem to catch the title when WFMT plays it.

 

Rusty

Last edited by Rusty Traque
Originally Posted by Bad Order Hal:

 

HEY NODEWARRIOR,

 

It's good to meet someone who plays Symphonic music! 

 

Do you play Tenor or Bass trombone?

 

About Duke Ellington...a jazz musician once said that there are 2 sax sections in the Duke's band:  The regular sax section and Harry Carney. (Bari sax)

 

My favorite conductor is now the Russian Valery Gergiev, but I always thought the late Leonard Bernstein was tops.

 

Bad Order Hal

069

Gee for a minute  i thought that was Stan Getz or Zoot Simms. Nope it's bad order Hal.

I play tenor/alto trombone. Unlike Tom Malone (Blues Bros movie) my doulbing pretty much ends there. I rarely play jazz any more which is a shame, but the Sinfonietta does so many crazy-ecclectic programs, it makes up for it. Even thought I own a bass trombone (no George Roberts here), and played a ton of it in HS, I have too many friends who are much better at it 'round here.

I'm familiar with Pacific 231, of course.  Music that attempts to mimic  real life is called "programmatic" music.  Other great examples are Beethoven's Symphony #6 Pastoral, Tchaikovsky's "Overture 1812," and Rimsky Korsakov's "Flight of the Bumblebee."  There is one other truly great railroad programmatic work that I'm betting few if any of you know about.  It was created by the great Nigerian composer Babatunde Olantunji, about 1959.  It's called, "Akiwowo", or "Chant to the Train Man."  Akiwowo was a conductor on the Nigerian Railroad who was famous for his kindness.  Imagine a steam train heading down European style tracks (the joints are even with each other instead of staggered--womp.....womp....womp....) as it crosses the great African savannah.   Happy villagers see the train coming and begin to sing, "Akiwowo!"

The original 1959 version:

The lyrics:
"Akiwowo (Chant to the trainman)

 

Akiwowo Oloko ile

Akiwowo Oloko ile

lowo Gbe Mi Dele
lowo Gbe Mi Dele
Ile Baba Mi

Akiwowo Oloko lle

 

Chorus:
Oloko ile

O Se O

 

Akiwowo conductor of the train

Akiwowo conductor of the train

Please take me home

Please take me home

To my father's house

Akiwowo conductor of the train

 

Chorus:

Conductor of the train,

Thank you!"

Hear the thump of the wheels against the rail joints?   Hear the train going over the trestles, and the hiss of the steam?  It's all in there.

Give it a chance, maybe listen a couple of times.  It's very different from Western music, but I think once you've heard it a time or two you'll come to see what a truly great railroad song this is!


Kent in SD

Last edited by Two23

I love this piece!  I suggested Pacific 231 several times when I was in the Williamson County Symphony Orchestra (I play the tuba ), but it never happened.  We did play a few other train-related pieces though, including The Polar Express, The Great Locomotive Chase, and Tour und Retour (a Josef Strauss piece).  My orchestra director, who was also one of my high school band directors, also liked trains, and his father was actually a watch inspector for the Baltimore & Ohio.

 

Aaron

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